Vakula is a singular artist and musical storyteller.

Few others are capable of the sort of dance floor shamanism that he manages to cook up. Each time he plays, listeners are glazed over with visceral textures, mesmerizing ups and downs, pervasive basses and spirit-infused percussion. His sets are a mix of pure techno, dub techno, deep house, jazz, funk, disco, psychedelic rock or whatever comes into his vivid imagination. It means you can’t help but follow his dynamic, three-dimensional story, both with your body and mind: his sets are a ritual.

Vakula’s own selected works compilation—released on Firecracker Recordings in 2013 – was named ‘You’ve Never Been to Konotop’. Konotop is his small provincial hometown in Northern Ukraine. You haven’t been there. But every time he plays, he’s readily taking you there with his crafted music: all those contemplative promenades in a mystical electric forest emit a complex palette of sounds, from lively and luscious to eerie and austere. Mother nature is Vakula’s main vitalising source, and in turn his atmospheric soundscapes are sonic projections of his most dear landscapes. Full-length albums like A Voyage to Arcturus and Cyclicality Between Procyon and Gomeisa, are additional proof of the exceptional abilities of this far-out musical traveler.

But he’s not just about unearthly things. Vakula wouldn’t be Vakula without his notable mastery of a mixer, which he calls ‘a DJ’s musical instrument’ and the collection of rare analogue gear and exotic folk instruments he keeps in his studio in Ukraine. From an Oberheim Ob-8 vintage synth to marimba and a set of conga drums, he knows them all. For his productivity, Vakula has established two labels for releasing his own music, and they are Leleka for experimental fare and Bandura for more club-friendly material. As if that wasn’t enough, Vakula has recently started his own mastering practice for other musical talents, and it is yet another outlet for his technical dexterity and unique sonic feelings.

EVENT DESCRIPTION

Exploring the Sounds of Ukraine in Times of War

Electronic Music Production. Traditional & Instrumental Ukrainian Music 

01 July – 30 July 2024 Bulgaria 

Mikhaylo Vityk – Vakula

creativity and albums recorded during War

This project involves the production of electronic music, emphasizing the significance of traditional Ukrainian music and instruments. The aim is to connect and educate individuals in Bulgaria, including both Ukrainians and Bulgarians, as well as our audience members around the world through music, especially in the context of the ongoing war.

Mikhaylo Vityk has been selected to participate in a unique and culturally enriching project in Bulgaria that is focused on the production of music for individuals interested in learning about electronic and Ukrainian traditional music, and how it impacted during the war. 

The project, organized in collaboration with Meadows in The Mountains and Micro Club Sofia, aims to showcase the beauty and diversity of Ukrainian music through a series of music production sessions and performances. This initiative seeks to promote cultural exchange, foster artistic collaboration, and celebrate the rich musical heritage of Ukraine. 

Artist Vakula’s exceptional talent and creative vision make them a perfect fit for this endeavor, which will not only educate and inspire audiences in Bulgaria, but also contribute to the promotion of Ukrainian culture on our international platform. 

As part of the project, Artist Vakula will have the opportunity to collaborate with local musicians and artists, participate in music recording sessions, and engage with audiences eager to explore the unique sounds of Ukrainian music. 

A unique musical journey that merges the worlds of electronic music production and traditional Ukrainian instrumental music, with a focus on the themes of war.
This event is a celebration of creativity, innovation, and cultural heritage, offering a platform for artists and music enthusiasts to explore the intersection of music and conflict.

Event Details:

– Date: 01 July – 08 July 2024 – Meadows in The Mountains

–  Date: 08 July – 12 July 2024 – Meadows in The Mountains

–  Date: 15 July – 16 July 2024 – Meadows in The Mountains

–  Date: 17 July – 19 July 2024 – Mikro Club

–  Date: 22 July – 26 July 2024 – Mikro Club

–  Date: 29 July 2024 – Interview

– Time: Every Day, 16 pm -20 pm

– Admission: Free / Open to the Public / Donation

Event Highlights:

– Introduction to Ukrainian Music: Discover the rich musical traditions of Ukraine, from traditional instruments to unique scales and genres. – Impact of War on Music: Explore how war has shaped and influenced Ukrainian music throughout history and in contemporary times.

– Electronic Music Production Basics: Learn the fundamentals of creating electronic music, including software, hardware, and mixing techniques. – Integration of Traditional and Electronic Music: Witness the fusion of traditional Ukrainian music with modern electronic elements to create a harmonious blend.

– War-themed Music Composition: Experience the creation of music that reflects the themes of war, using both traditional and electronic musical elements.

Explore the sounds of Ukraine in times of war and celebrate the power of music to transcend boundaries and convey powerful messages.

RELEASES

WORKSHOP

The 30-day workshop program on electronic music and traditional Ukrainian music by the talented artist Vakula will be an immersive experience for participants looking to explore the unique blend of genres. Each day will consist of 5 hours of learning and experimentation with a wide range of instruments and equipment listed on the Experiment Intrinsic website.

The first week will focus on electronic music production techniques using tools such as the AKAI MPC-2500 sampler, ROLAND TR drum machines, and Moog synthesizers. Participants will learn about sound design, synthesis, and programming rhythms to create their own electronic tracks.

The second week will delve into traditional Ukrainian music, incorporating instruments like the DYNACORD TAM 21 flanger, YAMAHA CS-10 synth, and percussions like UDU and SHAKERS. The participants will learn about the unique melodies, rhythms, and scales of Ukrainian music and how to integrate them into electronic compositions.

The final week will be dedicated to collaboration and performance, where participants will work together to create a live set combining elements of electronic and Ukrainian music. They will have the opportunity to showcase their creations using the studio’s professional equipment such as the NEVE preamp, API compressor, and APOLLO UAD 2 sound card. By the end of the workshop, participants will have gained a deeper understanding of both genres and developed their own unique sound.

PROGRAMME

Day 1- Introduction to Electronic Music:

– Overview of electronic music history

– Introduction to the Tempest Dave Smith drum machine

– Demonstration of the Ensoniq ASR X PRO sampler

– Hands-on session with the PEAVEY VALVERB reverb

– Group discussion on the use of electronic music in traditional Ukrainian settings

Day 2- Sampling Techniques:

– Hands-on workshop with the ENSONIQ EPS sampler

– Exploring the TC ELECTRONIC FLASHBACK delay

– Group sampling session using various traditional Ukrainian instruments

– Listening session of Vakula’s sample-based tracks

Day 3- Beat Making and Drum Machines:

– Introduction to the AKAI MPC-2500 sampler

– Experimenting with the AKAI FILTER MFC-42

– Live drum machine performance using the JOMOX MOONWIND FILTER

– Collaborative beat-making session

Day 4- Synthesizer Exploration:

– Overview of the ALESIS ANDROMEDA synthesizer

– Introduction to the ALESIS MIDIVERB-2 and MIDIVERB-3

– Hands-on session with the ALESIS HR-16 drum machine

– Group synth jam session

Day 5- Analog Synths and Filters:

– Demonstration of the OBERHEIM OB8 synth

– Exploring the BUCHLA SYSTEM 200 synth

– Hands-on experience with the CLUB OF THE KNOBS SYSTEM 3P synth

– Experimenting with the DAVE SMITH PROPHET-8 synth

Day 6- Delay and Modulation:

– Introduction to the KORG STAGE ECHO delay

– Demo of the KORG POLYSIX and MONO/POLY synths

– Group session using the KORG MS-10 and DW-8000 synths

– Creative use of delay and modulation effects

Day 7- Advanced Synthesis Techniques:

– Overview of the WALDORF Q synth

– Hands-on experience with the VERMONA DRM1 mkIII drum machine

– Exploring the SHERMAN FILTERBANK filter

– Experimenting with the STUDIO ELECTRONICS MIDI MINI synth

Day 8- Reverb and Harmonizer:

– Introduction to the EVENTIDE TIMEFACTOR and PITCHFACTOR

– Exploration of the EVENTIDE MODFACTOR and H3000 harmonizer

– Group improvisation using the EVENTIDE H9

– Creative use of reverbs and harmonizers

Day 9- Modular Synthesis:

– Overview of the ERICA SYNTH modular system

– Hands-on workshop with the DYNACORD PDD 14 and VRS 23 delays

– Group experimentation with the DYNACORD TAM 21 flanger

– Collaborative modular synth jam session

Day 10- Studio Tools and EQ:

– Introduction to the LEXICON MODEL 200 reverb

– Demo of the ELECTROCOMP EML-200 synthesizer

– Hands-on session with the MANLEY MASSIVE PASSIVE EQ

– Group discussion on studio equipment and equalization

Day 11- Roland Synths and Drum Machines:

– Overview of the ROLAND JD 800, JUPITER 4, and JUNO 106s synths

– Introduction to the ROLAND TR 909, TR 707, and TR 606 drum machines

– Hands-on experience with the ROLAND SH-1000 synth

– Live performance using ROLAND synths and drum machines

Day 12- Digital Synths and Effects:

– Demo of the ROLAND TR-8 drum machine and SBX-1 midi controller

– Exploring the ROLAND SPACE ECHO RE-201 delay

– Group session with the ROLAND CR-8000 drum machine

– Creative use of digital synths and effects

Day 13- Boss Drum Machine and Moog Synths:

– Introduction to the BOSS DR-220e drum machine

– Overview of the MINI MOOG MODEL D vintage and REISSUE synths

– Hands-on experience with the MOOG MOOGERFOOGER effects

– Group jam session using Boss drum machine and Moog synths

Day 14- Yamaha Synths and Reverb:

– Demo of the YAMAHA FM-7 and TG-33 synths

– Exploring the YAMAHA REV5 reverb

– Group session using YAMAHA NS-10m monitors

– Experimenting with the YAMAHA CS-10 synth

Day 15- Analog Gear and Compression:

– Introduction to the DBX 165 compressor

– Demo of the REVOX A-78 amplifier

– Hands-on experience with the TOFT MIXER ATB-24 mixer

– Group discussion on analog gear and compression techniques

Day 16- API Equipment:

– Overview of the API 3124+ amplifier and 2500 compressor

– Introduction to the API 5500 equalizer

– Hands-on session with the API preamp and compressor

– Group experimentation with API equipment

Day 17- Handcrafted EQ and Summing Mixer:

– Introduction to the HANDCRAFTED TESVAL and OZ equalizers

– Exploring the HANDCRAFTED OPTO-TUBE COMPRESSOR

– Hands-on experience with the HANDCRAFTED TSM 120-217 summing mixer

– Collaborative work using handcrafted EQ and summing mixer

Day 18- Neve and Urei Gear:

– Demo of the NEVE 1073-4 clone preamp

– Exploration of the ELECTRA UBK equalizer

– Live performance using the KUSH AUDIO FATSO compressor

– Group discussion on Neve and Urei gear

Day 19- Studio Sound Card and MIDI Control:

– Overview of the APOLLO UAD 2 and MYTEK 8×192 ADDA sound cards

– Introduction to the ESI M8UXL MIDI control

– Hands-on experience with the ARP ODESSEY and SEQUENTIAL CIRCUITS SIX-TRAK synths

– Group experimentation with studio sound cards and MIDI control

Day 20- Nord Electro and Wurlitzer:

– Demo of the NORD ELECTRO 3 and WURLITZER electro pianos

– Exploring the FENDER RHODES STAGE PIANO MARK II

– Hands-on session with the FENDER PRINCETON amplifier

– Group jam session using Nord and Wurlitzer keyboards

Day 21- Fender Guitars and Amplifiers:

– Introduction to the FENDER STRATOCASTER guitar

– Overview of the FENDER BASS PRECISION bass

– Hands-on experience with the VENTURA GUITAR

– Live performance using Fender guitars and amps

Day 22- Gibson Amp and Hohner Organ:

– Demo of the GIBSON CABINET amplifier

– Exploration of the HOHNER ORGAPHON 60MH amp

– Group improvisation using the MISSION 78as SUB subwoofer

– Creative use of Gibson and Hohner equipment

Day 23- Technics Sound Systems:

– Introduction to the TECHNICS SU-9070 preamp

– Overview of the TECHNICS SE-9060 amplifiers

– Hands-on session with the TECHNICS SB-100 acoustic system

– Group discussion on Technics sound systems

Day 24- AKG Reverb and Acoustic Stand:

– Demo of the AKG BX-25 reverb

– Exploring the ISO L8R 200 acoustic stand

– Group session using AKG effects

– Creative use of acoustic stands

Day 25- Microphone Techniques:

– Introduction to Geffel Mikrofontechnik and Sure Sm57 microphones

– Hands-on experience with the AKG D112 and Tube Hansmade Mic

– Group recording session using various microphones

– Collaborative work on microphone techniques

Day 26- Percussion Instruments:

– Demo of the UDU, SHAKERS, and TRIANGLE

– Exploration of the MARIMBA ADAMS and GONG

– Hands-on session with the TAMBOURINE and HARPS

– Group percussion jam session

Day 27- Singing Bowls and Metal Instruments:

– Introduction to SINGIN BOWL meditation bowls

– Overview of Zvuki Tibeta gongs

– Hands-on experience with various metal instruments

– Group meditation using singing bowls and gongs

Day 28- Collaborative Songwriting:

– Creative session with participants sharing ideas and working on collaborative pieces

– Group composition and production session

– Individual and group performances of collaborative works

Day 29- Rehearsal and Preparation:

– Rehearsal session for final performance

– Sound check and technical preparations

– Group practice and feedback session

Day 30- Final Performance:

– Live performance featuring original works created during the workshop

– Showcase of electronic music fused with traditional Ukrainian influences

– Celebration and closing ceremony

This 30-day workshop aims to provide participants with a comprehensive understanding of electronic music production techniques, traditional Ukrainian music, and the fusion of these two styles. Through hands-on activities, collaborative work, and live performances, participants will have the opportunity to explore the vast world of electronic music and create their unique soundscapes inspired by the rich musical traditions of Ukraine.

With a diverse range of instruments and equipment, participants will have the opportunity to experiment, collaborate, and create music that resonates with the spirit of Vakula’s innovative approach to music-making.

Vakula is a singular artist and musical storyteller.

Few others are capable of the sort of dance floor shamanism that he manages to cook up. Each time he plays, listeners are glazed over with visceral textures, mesmerizing ups and downs, pervasive basses and spirit-infused percussion. His sets are a mix of pure techno, dub techno, deep house, jazz, funk, disco, psychedelic rock or whatever comes into his vivid imagination. It means you can’t help but follow his dynamic, three-dimensional story, both with your body and mind: his sets are a ritual.

Vakula’s own selected works compilation—released on Firecracker Recordings in 2013 – was named ‘You’ve Never Been to Konotop’. Konotop is his small provincial hometown in Northern Ukraine. You haven’t been there. But every time he plays, he’s readily taking you there with his crafted music: all those contemplative promenades in a mystical electric forest emit a complex palette of sounds, from lively and luscious to eerie and austere. Mother nature is Vakula’s main vitalising source, and in turn his atmospheric soundscapes are sonic projections of his most dear landscapes. Full-length albums like A Voyage to Arcturus and Cyclicality Between Procyon and Gomeisa, are additional proof of the exceptional abilities of this far-out musical traveler.

But he’s not just about unearthly things. Vakula wouldn’t be Vakula without his notable mastery of a mixer, which he calls ‘a DJ’s musical instrument’ and the collection of rare analogue gear and exotic folk instruments he keeps in his studio in Ukraine. From an Oberheim Ob-8 vintage synth to marimba and a set of conga drums, he knows them all. For his productivity, Vakula has established two labels for releasing his own music, and they are Leleka for experimental fare and Bandura for more club-friendly material. As if that wasn’t enough, Vakula has recently started his own mastering practice for other musical talents, and it is yet another outlet for his technical dexterity and unique sonic feelings.

RELEASES

WORKSHOP

The 30-day workshop program on electronic music and traditional Ukrainian music by the talented artist Vakula will be an immersive experience for participants looking to explore the unique blend of genres. Each day will consist of 5 hours of learning and experimentation with a wide range of instruments and equipment listed on the Experiment Intrinsic website.

The first week will focus on electronic music production techniques using tools such as the AKAI MPC-2500 sampler, ROLAND TR drum machines, and Moog synthesizers. Participants will learn about sound design, synthesis, and programming rhythms to create their own electronic tracks.

The second week will delve into traditional Ukrainian music, incorporating instruments like the DYNACORD TAM 21 flanger, YAMAHA CS-10 synth, and percussions like UDU and SHAKERS. The participants will learn about the unique melodies, rhythms, and scales of Ukrainian music and how to integrate them into electronic compositions.

The final week will be dedicated to collaboration and performance, where participants will work together to create a live set combining elements of electronic and Ukrainian music. They will have the opportunity to showcase their creations using the studio’s professional equipment such as the NEVE preamp, API compressor, and APOLLO UAD 2 sound card. By the end of the workshop, participants will have gained a deeper understanding of both genres and developed their own unique sound.

PROGRAMME

Day 1- Introduction to Electronic Music:

– Overview of electronic music history

– Introduction to the Tempest Dave Smith drum machine

– Demonstration of the Ensoniq ASR X PRO sampler

– Hands-on session with the PEAVEY VALVERB reverb

– Group discussion on the use of electronic music in traditional Ukrainian settings

Day 2- Sampling Techniques:

– Hands-on workshop with the ENSONIQ EPS sampler

– Exploring the TC ELECTRONIC FLASHBACK delay

– Group sampling session using various traditional Ukrainian instruments

– Listening session of Vakula’s sample-based tracks

Day 3- Beat Making and Drum Machines:

– Introduction to the AKAI MPC-2500 sampler

– Experimenting with the AKAI FILTER MFC-42

– Live drum machine performance using the JOMOX MOONWIND FILTER

– Collaborative beat-making session

Day 4- Synthesizer Exploration:

– Overview of the ALESIS ANDROMEDA synthesizer

– Introduction to the ALESIS MIDIVERB-2 and MIDIVERB-3

– Hands-on session with the ALESIS HR-16 drum machine

– Group synth jam session

Day 5- Analog Synths and Filters:

– Demonstration of the OBERHEIM OB8 synth

– Exploring the BUCHLA SYSTEM 200 synth

– Hands-on experience with the CLUB OF THE KNOBS SYSTEM 3P synth

– Experimenting with the DAVE SMITH PROPHET-8 synth

Day 6- Delay and Modulation:

– Introduction to the KORG STAGE ECHO delay

– Demo of the KORG POLYSIX and MONO/POLY synths

– Group session using the KORG MS-10 and DW-8000 synths

– Creative use of delay and modulation effects

Day 7- Advanced Synthesis Techniques:

– Overview of the WALDORF Q synth

– Hands-on experience with the VERMONA DRM1 mkIII drum machine

– Exploring the SHERMAN FILTERBANK filter

– Experimenting with the STUDIO ELECTRONICS MIDI MINI synth

Day 8- Reverb and Harmonizer:

– Introduction to the EVENTIDE TIMEFACTOR and PITCHFACTOR

– Exploration of the EVENTIDE MODFACTOR and H3000 harmonizer

– Group improvisation using the EVENTIDE H9

– Creative use of reverbs and harmonizers

Day 9- Modular Synthesis:

– Overview of the ERICA SYNTH modular system

– Hands-on workshop with the DYNACORD PDD 14 and VRS 23 delays

– Group experimentation with the DYNACORD TAM 21 flanger

– Collaborative modular synth jam session

Day 10- Studio Tools and EQ:

– Introduction to the LEXICON MODEL 200 reverb

– Demo of the ELECTROCOMP EML-200 synthesizer

– Hands-on session with the MANLEY MASSIVE PASSIVE EQ

– Group discussion on studio equipment and equalization

Day 11- Roland Synths and Drum Machines:

– Overview of the ROLAND JD 800, JUPITER 4, and JUNO 106s synths

– Introduction to the ROLAND TR 909, TR 707, and TR 606 drum machines

– Hands-on experience with the ROLAND SH-1000 synth

– Live performance using ROLAND synths and drum machines

Day 12- Digital Synths and Effects:

– Demo of the ROLAND TR-8 drum machine and SBX-1 midi controller

– Exploring the ROLAND SPACE ECHO RE-201 delay

– Group session with the ROLAND CR-8000 drum machine

– Creative use of digital synths and effects

Day 13- Boss Drum Machine and Moog Synths:

– Introduction to the BOSS DR-220e drum machine

– Overview of the MINI MOOG MODEL D vintage and REISSUE synths

– Hands-on experience with the MOOG MOOGERFOOGER effects

– Group jam session using Boss drum machine and Moog synths

Day 14- Yamaha Synths and Reverb:

– Demo of the YAMAHA FM-7 and TG-33 synths

– Exploring the YAMAHA REV5 reverb

– Group session using YAMAHA NS-10m monitors

– Experimenting with the YAMAHA CS-10 synth

Day 15- Analog Gear and Compression:

– Introduction to the DBX 165 compressor

– Demo of the REVOX A-78 amplifier

– Hands-on experience with the TOFT MIXER ATB-24 mixer

– Group discussion on analog gear and compression techniques

Day 16- API Equipment:

– Overview of the API 3124+ amplifier and 2500 compressor

– Introduction to the API 5500 equalizer

– Hands-on session with the API preamp and compressor

– Group experimentation with API equipment

Day 17- Handcrafted EQ and Summing Mixer:

– Introduction to the HANDCRAFTED TESVAL and OZ equalizers

– Exploring the HANDCRAFTED OPTO-TUBE COMPRESSOR

– Hands-on experience with the HANDCRAFTED TSM 120-217 summing mixer

– Collaborative work using handcrafted EQ and summing mixer

Day 18- Neve and Urei Gear:

– Demo of the NEVE 1073-4 clone preamp

– Exploration of the ELECTRA UBK equalizer

– Live performance using the KUSH AUDIO FATSO compressor

– Group discussion on Neve and Urei gear

Day 19- Studio Sound Card and MIDI Control:

– Overview of the APOLLO UAD 2 and MYTEK 8×192 ADDA sound cards

– Introduction to the ESI M8UXL MIDI control

– Hands-on experience with the ARP ODESSEY and SEQUENTIAL CIRCUITS SIX-TRAK synths

– Group experimentation with studio sound cards and MIDI control

Day 20- Nord Electro and Wurlitzer:

– Demo of the NORD ELECTRO 3 and WURLITZER electro pianos

– Exploring the FENDER RHODES STAGE PIANO MARK II

– Hands-on session with the FENDER PRINCETON amplifier

– Group jam session using Nord and Wurlitzer keyboards

Day 21- Fender Guitars and Amplifiers:

– Introduction to the FENDER STRATOCASTER guitar

– Overview of the FENDER BASS PRECISION bass

– Hands-on experience with the VENTURA GUITAR

– Live performance using Fender guitars and amps

Day 22- Gibson Amp and Hohner Organ:

– Demo of the GIBSON CABINET amplifier

– Exploration of the HOHNER ORGAPHON 60MH amp

– Group improvisation using the MISSION 78as SUB subwoofer

– Creative use of Gibson and Hohner equipment

Day 23- Technics Sound Systems:

– Introduction to the TECHNICS SU-9070 preamp

– Overview of the TECHNICS SE-9060 amplifiers

– Hands-on session with the TECHNICS SB-100 acoustic system

– Group discussion on Technics sound systems

Day 24- AKG Reverb and Acoustic Stand:

– Demo of the AKG BX-25 reverb

– Exploring the ISO L8R 200 acoustic stand

– Group session using AKG effects

– Creative use of acoustic stands

Day 25- Microphone Techniques:

– Introduction to Geffel Mikrofontechnik and Sure Sm57 microphones

– Hands-on experience with the AKG D112 and Tube Hansmade Mic

– Group recording session using various microphones

– Collaborative work on microphone techniques

Day 26- Percussion Instruments:

– Demo of the UDU, SHAKERS, and TRIANGLE

– Exploration of the MARIMBA ADAMS and GONG

– Hands-on session with the TAMBOURINE and HARPS

– Group percussion jam session

Day 27- Singing Bowls and Metal Instruments:

– Introduction to SINGIN BOWL meditation bowls

– Overview of Zvuki Tibeta gongs

– Hands-on experience with various metal instruments

– Group meditation using singing bowls and gongs

Day 28- Collaborative Songwriting:

– Creative session with participants sharing ideas and working on collaborative pieces

– Group composition and production session

– Individual and group performances of collaborative works

Day 29- Rehearsal and Preparation:

– Rehearsal session for final performance

– Sound check and technical preparations

– Group practice and feedback session

Day 30- Final Performance:

– Live performance featuring original works created during the workshop

– Showcase of electronic music fused with traditional Ukrainian influences

– Celebration and closing ceremony

This 30-day workshop aims to provide participants with a comprehensive understanding of electronic music production techniques, traditional Ukrainian music, and the fusion of these two styles. Through hands-on activities, collaborative work, and live performances, participants will have the opportunity to explore the vast world of electronic music and create their unique soundscapes inspired by the rich musical traditions of Ukraine.

With a diverse range of instruments and equipment, participants will have the opportunity to experiment, collaborate, and create music that resonates with the spirit of Vakula’s innovative approach to music-making.